Release Date: October 13, 2017
Run Time: 1 hour 54 min
After Credit Scene: NO
IMAX Viewing: NO
3D Viewing: NO
Reviewer: Wayne Demers
The Dope Sheet Score: 7.7 out of 10
A non-spoiler review.
“A humble businessman with a buried past seeks justice when his daughter is killed in an act of terrorism. A cat-and-mouse conflict ensues with a government official, whose past may hold clues to the killers’ identities.”
What works: Finally a Jackie Chan movie that allows him to act, truly act (ok, he isn’t going to get any acting award nominations), without any comedic moments between moments of action. He may be older, but the man still has the action scenes down. Pierce Brosnan plays a government official with ties to the IRA and is caught in the middle of law officials and a mourning father whom want information. You get solid performances from both and there is plenty of action for everyone to appreciate. If Rambo and Jason Bourne were to run into Jackie Chan, I feel like they all would have their hands full.
What doesn’t work: The supporting cast, specifically the terrorists, feel very empty and the acting takes a hit. I’m always wondering where all these people always seem to have martial arts training. Jackie Chan’s character always seems to have a way out and we’re supposed to just fill in the blanks that he gets away and moves on. There is a romance in the film that just doesn’t seem to fit and honestly, we could have done without that entire subplot.
All in all, I enjoyed the film. I enjoyed it most because this is not your stereotypical Chan movie because the story is a bit more grounded and Jackie gets a chance to act. Yes, we get some of the martial arts flavor that we see in many of his movies, but it is toned down and fits well into the story. Let’s hope we can see Jackie in more serious movie roles that don’t focus on what he is mostly known for, antic ridden martial arts fighting.
On a scale of 1 to 10, 10 being the highest, I give The Foreigner a 7.7. Grab some concessions and enjoy some action, Rambo style.
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